Order, Disorder and Imagination in John Buck’s Sculptures :: Art Essays

Order, Disorder and resourcefulness in deception Bucks SculpturesThere is always a first impression, a first glance seeping through the loge of your eye. When passing by one cant help scarcely to notice the overwhelming presence of John Bucks separate sculptures which stand in front of the Gallery. I find myself overwhelmed by twain the size and the boldness by which these sculptures speak. Their organized structural nature combines a variety of ideas from branches, birdhouses to molecular structures and globes, and in the middle of it all stands the ringing gay form. Initially, the forms and elements I saw in these sculptures strike me but their composition did not challenge or stimulate my curiosity. So I kept up with the flow of traffic and continued on walking by. I couldnt quite figure out why I had an aversion to these sculptures. It wasnt until I started to break down the elements of these sculptures and take a closer port within the walls of the gallery that m y first impression faded and a in the buff aura of his work came into being. A have found an appreciation for both(prenominal) his ways of making and the perceptions he presents. I am a astronomical fan of wood carving, so I am thoroughly impressed by John Bucks carvings of both his sculptures and woodblock prints. I cargon for the details of his work for instance the visibility of the chip carving and the discipline he has over the bends of the wood. I am curious to retire the techniques he uses to get these details and his methods to making them. I read that John Buck uses a special kind of wood called jelutong. The artist state about working with wood, There is an automatic and direct relationship amongst the nature of the wood and how I am able to work with itIn the carving of wood there is a physical activity that is much about nature in the making not just the design of the image, but the actual making, is connected to nature.His connection to nature and the env ironment go beyond his use of wood as a medium, but are explicit in the stories he tells. In the lecture Pillar to impel, Bruce Gunter commented on three forces which he found impacted Bucks art work, these being Midwest roots, environmental degradation and relationships to humanity.